Let me know what you think – feedback is always really appreciated.
One thing I have noticed already was that I forgot to mention our work with Coveritlive.
Let me know what you think – feedback is always really appreciated.
One thing I have noticed already was that I forgot to mention our work with Coveritlive.
…says Robert Thomson, managing editor of the Wall Street Journal.
Mr Thomson, along with Walter Isaacson of Time and Mort Zuckerman of The New York Daily News discuss the future of newspapers:
[via The Big Picture]
The debate covers micropayments, Google, Kindle, debt, over-reliance on advertisers and the self-referential nature of journalism.
Fascinating to hear the take of people immersed in the quest to preserve the newspaper business.
I’ve was listening on the radio (You & Yours, I think) to a debate about the PPL and PRS licences businesses need in order to play music in the workplace.
As a quick explanation, this is from law firm Hammonds (warning – it’s a pdf):
Any copyright music which is played within a business and can be heard by more than one person (whether staff members or the general public) is likely to require a licence. This includes music played almost anywhere outside a private dwelling, for example in offices and factories; shops and stores; leisure facilities; kitchens; staff rooms; post rooms; and even music played on the telephone whilst customers are put on hold; as well as the usual public areas such as waiting rooms, restaurants and bars.
That lead me to think of all the newspapers sitting in cafes, bars and waiting rooms across the UK. Each newspaper is only bought once but many may read and benefit from it.
In some respects it doesn’t really matter how this has come to pass – whether it is because of competition from other platforms, the public perception of news being a right or just the newspaper industry historically undervaluing itself – the point it illustrates is that the news industry doesn’t really believe its content has any value other than to provide structure around which to place advertising.
This seriously effects how the industry can now move forward and, with such different attitudes to the value of their content, how can we suggest that the answers to the news industry’s woes can be found in the experiences of the music industry?
I have been utterly blown away by the response to my new job blog post last week and have felt guilty that I haven’t been able to thank everyone for their kind comments.
If I haven’t been in touch – please know I’m chuffed to bits and very grateful for the good wishes.
To answer the main questions: my last day at The Birmingham Post will be March 6th. After that I will be off to SXSWi and will start at The Times on March 23rd. Inbetween I will find somewhere to live in London!
In the meantime I would like to invite my friends and colleagues to join me for a drink at Pennyblacks in the Mailbox, Birmingham on March 6th. It would be great to see you there.
Today I have resigned from my job at the Birmingham Post.
I will be leaving the paper and Birmingham in just over a month to take up a new position as a web development editor for The Times.
This is a pretty big deal for me. The Post was where I got my first break into journalism and where I had the opportunity to develop my interest in the web. I am a passionate supporter of the title and of the city and I will miss both immensely.
I’m really grateful to everyone at the paper who supported me and encouraged me to develop my expertise in blogging and social media. Also, big thanks to Birmingham’s exceptionally friendly and welcoming online community who have been generous with their time and taught me so much.
Looking forward, The Times is a phenomenally exciting opportunity for me and, in very many ways, my dream job. I’ll go into the details in another post soon, but suffice to say I’m really looking forward to it and will, I hope, be able to fill you in about my London adventures via this blog.